(-) - !N/N/!N - 13341×⇩ - MP3 - Vangi, 1. *#306497 - 1.99MB - 2:11 -  2 In measure 21, you’d expect the A7 to resolve to a D chord. Sarabande • 5. 10 8 8 (-) - !N/!N/!N - 24996×⇩ - MP3 - Papalin, 3. First, some context. -  I then carefully aligned it to with the audio from Rostropovich’s recording. (-) - !N/!N/!N - 1019×⇩ - MP3 - Travelsbypiano, 5. Carolus (2009/8/13), Complete Score Gigue Courante *#161927 - 0.02MB, 2 pp. (-) - !N/!N/!N - 10686×⇩ - RSB, Complete Score Post was not sent - check your email addresses! in G) BWV 1007, it also includes the 4th suite prelude in E-flat BWV 1010 (transcribed to E natural). 6 0.0/10 10 2 You are not supposed to use G under a D7 chord! 10 *#241776 - 2.15MB, 12 pp. 0.0/10 *#268336 - 0.07MB, 4 pp. 4 2 Sallen112 (2017/7/6), Complete Score (Text II) (EU) 4 (-) - !N/!N/!N - 2668×⇩ - Elaine Fine, Engraving files (Finale) 8 10 Cello Suite No.1 in G major, BWV 1007 (Bach, Johann Sebastian) Movements/Sections Mov'ts/Sec's: 7 movements Composition Year 1717-23 Genre Categories: 10 Sorry, your blog cannot share posts by email. -  I added some delay for additional hypnotic effect. (-) - !N/!N/!N - 11680×⇩ - arranger, PDF typeset by arranger This passage is all pleasantly diatonic except for the beginning of measure 24, when Bach uses the notes E-flat, D, C-sharp, D. Neither E-flat nor C-sharp belong to the key of G; they are both seriously dissonant. (-) - V/V/V - 7915×⇩ - Generoso, PDF scanned by Unknown 10 -  -  1 – Prelude. *#20210 - 0.04MB, 2 pp. Sarabande • 5. (-) - !N/!N/!N - 14×⇩ - Rockzaemon, V. Menuet I 6 0.0/10 10 4 The second section of the piece begins with this lovely series of scale runs, going from the end of measure 22 through measures 23 and 24 and into the first half of measure 25. Let’s examine a few sections in detail. 10 (-) - !N/!N/!N - 1362×⇩ - MP3 - Darrell Jacobi, 4. 8 2 (-) - V/V/V - 99×⇩ - Notenquetser, PDF scanned by Unknown 6 -  2 10 4 10 6 6 10 4 10 8 Sarabande He composed six suites for the cello — a four stringed instrument that, at the time, was relegated to the role of accompaniment in larger ensembles. Notenquetser (2015/8/28), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License *#517651 - 43.37MB - 18:57 -  homerdundas (2009/7/27), Complete Score (with facsimile) -  -  8 2 10 If you hear the first few measures you’ll likely recognize it. IsaacWeiss (2016/6/3), MSCZ source file (in ZIP archive) Stringph (2016/8/8), 6. Reccmo (2012/5/18), Virtual Performance 6 10 *#320961 - 0.15MB, 7 pp. 6 0.0/10 pp. 10 2 10 Test of new Embertone "Blakus" solo cello sample library. 0.0/10 Menuett & 6. 2 Stade's revised arrangement incorporated features from the Dotzauer and Grützmacher editions, while the original version is mainly based on Norblin's edition from ca.1824. (-) - !N/!N/!N - 17569×⇩ - MP3 - Papalin, 5. 4 10 0.0/10 6 10 4 0.0/10 2 6 4 2 10 -  6 10 Shin-Itchiro (2014/5/7), Complete Score *#161925 - 0.03MB, 2 pp. But the bass note continues to be G, not D or A. These suites are all masterpieces in music and considered a rite of passage for cellists to study and master. *#161926 - 0.03MB, 2 pp. If you want to learn how to use single note lines to imply chord changes and counterpoint, the prelude to his first cello suite is a whole textbook worth of wisdom for you. (-) - !N/!N/!N - 8508×⇩ - arranger, PDF typeset by arranger 0.0/10 4 8 6 Courante • 4. 2 It’s voiced root-fifth-tenth, which is a film score cliche for Westerns because it suggests wide-open spaces: Already, there seem to be three voices present: a “bassline” playing G, a “top-line melody” playing B and A, and a “countermelody” playing D. Now compare that to the second measure: The melody has exactly the same contour and the same bass note here as in the first measure, but the middle “voice” is playing E and the top “voice” is playing C and B. (-) - !N/!N/!N - 1045×⇩ - MP3 - Travelsbypiano, 4. 8 6 -  2 *#173150 - 3.32MB - 3:37 -  0.0/10 8 6 Gigue, II. (-) - !N/!N/!N - 1007×⇩ - Reccmo, ZIP typeset by arranger Enjoy. 2 6 8 6 ComposerTylerBo... (2018/4/16), I. Prelude 4 Menuetto I & II 4 10 *#173148 - 3.62MB - 3:56 -  6 8 *#636281 - 0.22MB, 4 pp. -  4 -  10 10 0.0/10 As expected, there’s an F-sharp in the middle voice and a C on top. Stringph (2017/2/1), ⇒ 6 more: 1. *#173149 - 3.08MB - 3:21 -  0.0/10 10 The copy I own, was published in a collection of Bach's cello suites transcriptions by Bream, which goes by the catalog number F0309. 8 2 (-) - !N/!N/!N - 13395×⇩ - Shin-Itchiro, PDF typeset by arranger *#185302 - 3.52MB - 1:32 -  2 6 1 is one of the world’s most recognizable pieces of music. You’ve likely heard Yo-Yo Ma play it — he’s been trying to master it for almost 60 years now. Suite No. 0.0/10 (-) - !N/!N/!N - 1450×⇩ - RSB, Cello and Piano 10 -  (-) - !N/!N/!N - 13×⇩ - Rockzaemon, VII. Gigue 6 *#98290 - 1.45MB, 75 pp. Allemande 6 0.0/10 Cello Suite No 1 - Prelude Tabs - Johann Sebastian Bach, version (1). 4 4 0.0/10 Rockzaemon (2020/7/13), ⇒ 6 more: II. 10 8 -  -  The D7 makes us expect a resolution back to G, but that never comes. 6 4 2 Strange though this all is, it still manages to sound beautiful and inevitable. *#483287 - 2.45MB, 6 pp. 0.0/10 6 10 Menuetto I & II • 6. • Page visited 556,030 times • Powered by MediaWiki 4 (-) - !N/!N/!N - 846×⇩ - Max.virdis, PDF typeset by arranger One accurate version. 4 *#541489 - 0.08MB, 4 pp. -  10 arranger (2011/4/4), I. Prelude *#449691 - 73.29MB, 35 pp. 8 0.0/10 0.0/10 (-) - !N/!N/!N - 13×⇩ - Rockzaemon, III. Play Cello Suite No 1 In G Major - Prelude Tabs using simple video lessons 6 *#78900 - 0.23MB, 9 pp. *#391067 - 2.12MB, 5 pp. 2 6 *#185301 - 9.73MB - 4:15 -  *#120470 - 0.27MB, 8 pp. 2 2 (-) - !N/!N/!N - 9753×⇩ - MP3 - Darrell Jacobi, MP3 file (audio) The third measure is similar too: This chord is harder to understand. 2 2 4 8 6 Darrell Jacobi (2012/1/22), ⇒ 5 more: 2. *#09781 - 0.85MB, 6 pp. 0.0/10 0.0/10 4 0.0/10 *#220987 - 0.02MB - 2:08 -  2 Minstrel (2015/11/2), Pedal-Exercitium 1 (Pedal study) 2 0.0/10 6 -  (-) - !N/!N/!N - 69×⇩ - Rockzaemon, PDF typeset by arranger *#306150 - 0.32MB, 3 pp. 2 6 4 0.0/10 6 10 8 4 *#241764 - 0.35MB, 3 pp. Menuet II Courante • 4. 8 0.0/10 2 4 2 Elainefine (2020/7/8), Complete Score Menuet I/II *#434239 - 0.11MB, 1 pp. 6 Sarabande *#636257 - 0.19MB, 4 pp. -  *#161930 - 0.00MB, 1 pp. 6 (-) - !N/!N/!N - 35404×⇩ - Shin-Itchiro, PDF typeset by editor 4 0.0/10 8 8 (-) - !N/!N/!N - 686×⇩ - Stringph, 7. 0.0/10 4 -  0.0/10 8 In other words, that low leading tone all the way at the bottom of the cello doesn’t resolve up to the tonic like you’d expect; it resolves down to the flat seventh, played on the open C string.

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